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Kabuki
originated in the Edo period and was more popular with the lower social
class as compared to the higher social classes. The word 'Kabuki' is
composed of three Japanese characters: 'ka' meaning 'songs', 'bu' meaning
'dance' and 'ki' meaning 'skill'. Its more likely a Japanese version of
Shakespeare’s plays being performed in an Opera. But Kabuki is more
entertaining, energetic and awesome in the use of color, makeup, movements
and often other spectacular effects. The passion for Kabuki Theatre began with first performance by the shrine dancer Okuni at Kyoto in 1603. This performance was a unique blend of folk dance and religious dance and soon became popular with the lower classes. In the early phase of the 17th century, women were banned from performing because women performers were lured to the business of prostitution and were getting undue attention from male admirers. This led to the development of art of female impersonation wherein males also played female parts. The beginning of the 18th century marked the development of Kabuki into a more matured form and was starting to become popular even with the higher classes of society. Kabuki
plays are composed of certain varying elements that help it become so
colorful and glamorous. These elements include: Story, Musical Elements,
Dramatic Content, Dance, Costume, Make-up, Theatre Design, and
Actor/Audience Relationship. Kabuki plays are about society in a
particular period, historical events, moral conflicts, love relationships
etc. and are performed using a combination of dramatic dialogue and dance,
and accompanied by drums, flutes, stringed instruments called shamisen,
and chanting. The Kabuki music also employs special spectacular
audio-effects. Kabuki
performers are very famous in Japan and this theatrical art is usually
passed from one family generation to the next, but the National Theater in
Tokyo also has a school for training young and upcoming performers. The
costumes and conventions of the traditional Kabuki are still being
incorporated in the modern Kabuki plays. However, the new generation
performers are finding out new ways to update plays in-order to attract
more and more audiences. |
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